41) “ Hudibras” is:
1. an English mock heroic and narrative poem
2.
from the 17th century
3.
written by Samuel Butler
4.
from the 18th century
A.
Only 1, 3 and 4
B.
Only 1 and 3
C.
Only 1, 2 and 3
D.
Only 1 and 4
Answer:
………………………
42) Match A with B
A B
a.
The Prelude 1.
T.S.Eliot
b.
Preludes 2.
Wordsworth
c.
Ode On The Nativity 3.
Matthew Arnold
d.
Tristram and Iscult 4.
Milton
A.
a-4, b-3, c-1, d-2
B.
a-3, b-1, c-4, d-2
C.
a-3, b-2, c-1, d-4
D.
a-2, b-1, c-4, d-3
Answer:
………………………………….
43) “Our
sight is the most perfect and most delightful of all our senses. It fills the
mind with the largest variety of ideas, converses with its objects at the
greatest distance, and continues the longest in action without being tired or
satiated with its proper enjoyments. The sense of feeling can indeed give us a
notion of extension, shape, and all other ideas that enter at the eye, except
colors; but at the same time it is very much straitened and confined in its
operations, to the number, bulk, and distance of its particular objects.”
This
is taken from:
A.
The Study of Poetry
B.
The Salon of 1859
C.
Studies in the History of the
Renaissance
D.
On the Pleasures of the Imagination
Answer:
………………………….
44) Match A with B
A B
a.
Thyrsis 1.
Elegy on John Keats
b.
In Memoriam 2.
Elegy on Hugh Clough
c.
Adonias 3.
Elegy on Edward King
d.
Lycidas 4.
Elegy on Henry Hallam
A.
a-1, b-4, c-2, d-3
B.
a-2, b-4, c-3, d-1
C.
a-3, b-1, c-4, d-1
D.
a-2, b-4, c-1, d-3
Answer:
……………………………
45) Match A with B
A B
a. Autolycus 1. Aldous
Huxley
b. Mark Twain 2. Samuel Cemens
c. George
Eliot 3. Mary Ann
Evans
d. Elia 4.
Charles Lamb
A.
a-1,
b-2, c-3, d-4
B.
a-2,
b-1, c-4, d-3
C.
a-3,
b-2, c-1, d-4
D.
a-4,
b-3, c-2, d-1
Answer:
…………………………………….
46) Cynewulf is :
1.
one of the 12 Anglo-Saxon poets
2.
an epic
3.
a parody of Beowulf
4.
the author of ‘Juliana’ and ‘Elene’
A.
Only 1
B.
Only 1, 2 and 3
C.
Only 3
D.
Only 1 and 4
Answer:
……………………………………
47) “Having
thus explained a few of my reasons for writing in verse, and why I have chosen
subjects from common life, and endeavored to bring my language near to the real
language of men, if I have been too minute in pleading my own cause, I have at
the same time been treating a subject of general interest; and for this reason
a few words shall be added with reference solely to these particular poems, and
to some defects which will probably be found in them. I am sensible that my associations
must have sometimes been particular instead of general, and that, consequently,
giving to things a false importance, I may have sometimes written upon unworthy
subjects; but I am less apprehensive on this account, than that my language may
frequently have suffered from those arbitrary connections of feelings and ideas
with particular words and phrases, from which no man can altogether protect
himself.”
This
is taken from:
A.
An Essay on Criticism
B.
Preface to the Second Edition of
Lyrical Ballads
C.
Biographia Literaria
D.
A Defense of Poetry
Answer:
…………………….
48) According
to Longinus which are the sources of sublimity that cannot be cultivated?
1.
Dignity of Composition
2.
Appropriate use of Figures
3.
Capacity for strong emotion
4.
Nobility of Diction
5.
Grandeure of Thought
A.
Only 1, 2, and 5
B.
Only 3 and 4
C.
Only 2, 4 and 5
D.
Only 3 and 5
Answer:
……………………………………..
49) According
to S.T. Coleridge:
1.
Primary imagination has the
“esemplastic” power.
2.
On the way to the supernatural from
natural if the poet fails to carry on he ends up as a “materialist”.
3.
Allegory is superior to symbol.
4.
Being an ‘organic whole’ is the quality of
good poetry.
A.
Only 2, 3 and 4
B.
Only 1, 2 and 3
C.
Only 2 and 4
D.
1, 2, 3 and 4
Answer:
……………………………
50) Who
translated the “Seafarer”?
A.
A.L. Tennyson
B.
Ezra Pound
C.
T.S.Eliot
D.
Sylvia Plath
Answer:
…………………………
ANSWERS:
41-C
42- D
43-D
44-D
45-A
46-D
47-B
48-D
49-C
50-B
