Black
comedy is a kind of drama (or, by extension, a non-dramatic work) in which
disturbing or sinister subjects like death, disease, or warfare, are treated
with bitter amusement, usually in a manner calculated to offend and shock.
Prominent in the theatre of the absurd, black comedy is also a feature of Joe
Orton's Loot (1965). A similar black humour is strongly evident in modern
American fiction from Nathanael West's A Cool Million (1934) to Joseph Heller's
Catch-22 (1961) and Kurt Vonnegut's Slaughterhouse-Five (1969).