11) That moment she was mine, mine, fair,
Perfectly pure and good: I found
A thing to do, and all her hair
In one long yellow string I wound
Three times her little throat around,
And strangled her. No pain felt she;
I am quite sure she felt no pain.
These lines stand for the speaker’s:
A. true love
B. dilemma
C. pride
D. abnormal psychology
Answer: ………………………………………
12) But oh! that deep romantic chasm which slanted
Down
the green hill athwart a cedarn cover!
A
savage place! as holy and enchanted
As
e'er beneath a waning moon was haunted
By
woman wailing for her demon lover!
These line
are taken from:
A. Christabel
B. Dejection: An Ode
C. The Rime Of The Ancient Mariner
D. Kubla Khan
Answer:
……………………………
13) In his story
Sarrasine Balzac, describing a castrato disguised as a woman, writes the
following sentence: 'This was woman herself, with her sudden fears, her
irrational whims, her instinctive worries, her impetuous boldness, her
fussings, and her delicious sensibility.' Who is speaking thus? Is it the hero
of the story bent on remaining ignorant of the castrato hidden beneath the
woman? Is it Balzac the individual, furnished by his personal experience with a
philosophy of Woman? Is it Balzac the author professing 'literary' ideas on
femininity? Is it universal wisdom? Romantic psychology? We shall never know,
for the good reason that writing is the destruction of every voice, of every
point of origin. Writing is that neutral, composite, oblique space where our
subject slips away, the negative where all identity is lost, starting with the
very identity of the body writing.
This paragraph advocates:
A.
Structuralism
B.
Post-structuralism
C.
Formalism
D.
Expressionism
Answer: ………………………………………………………….
14)
Match A with B
A B
a. Eugenius 1.Speaks
for the French drama
b. Crites 2.
Speaks for the English drama
c. Lisideius 3.
Speaks for the ancient drama
d. Neander 4.
Speaks for the modern drama
A. a-4, b-2, c-1, d-3
B. a-1, b-2, c-4, d-3
C. a-4, b-3, c-1, d-2
D. a-2, b-3, c-4, d-1
Answer: ………………………………..
15)
Match A with B
A B
a. Surrealism 1. Lord Byron
b. Stream of Consciousness 2. T.S. Eliot
c. Romanticism 3. Dylan Thomas
d. Modernism 4. James Joyce
A. a-1, b-3, c-4, d-2
B. a-3, b-4, c-2, d-1
C. a-3, b-4, c-1, d-2
D. a-1, b-2, c-3, d-4
Answer: ………………………………
16)
“
Hence all original religions are allegorical, or susceptible of allegory. and,
like Janus, have a double face of false and true. Poets, according to the
circumstances of the age and nation in which they appeared, were called, in the
earlier epochs of the world, legislators, or prophets: a poet essentially
comprises and unites both these characters.”
This
is from:
A.
Art of Poetry
B.
An Apology for Poetry
C.
An Essay on Criticism
D.
A Defense of Poetry
Answer:
……………………………..
17) Match the lines with the authors.
a.
The curfew tolls the knell of
parting day.
The
lowing herd winds slowly o'er the lea,
The
ploughman homeward plods his weary way,
And
leaves the world to darkness and to me.
b.
The vale funereal, the sad cypress
gloom;
The
land of apparitions, empty shades!
c.
Wild shrieks have issued from the
hollow tombs;
Dead
men have come again, and walked about;
And
the great bell has tolled, unrung and untouched.
d.
"When men my scythe and darts
supply
How
great a King of Fears am I!"
1.
Robert Blair 2. Thomas Parnell
3.
Thomas Grey 4.Edward Young
A.
a-3, b-1, c-2, d-4
B.
a-3, b-4, c-1. d-2
C.
a-3, b-1, c-2, d-4
D.
a-1, b-2, c-4, d-3
Answer: …………………..
18)
“But
though it is in terms of structure that we must describe poetry, the term structure is
certainly not altogether satisfactory as a term. One means by it something far
more internal than the metrical pattern, say, or than the sequence of images.
The structure meant is certainly notform in the conventional sense in which we
think of form as a kind of envelope which "contains" the
"content." The structure obviously is everywhere conditioned by the
nature of the material which goes into the poem.”
The
author is:
A.
John Crowe Ransome
B.
William Empson
C.
Cleanth Brooks
D.
I.A.Richards
Answer:
…………………………….
19) It will be convenient at this point to
introduce two definitions. In a full critical statement which states not only
that an experience is valuable in certain ways, but also that it is caused by
certain features in a contemplated object, the part which describes the value
of the experience we shall call the critical part. That which
describes the object we shall call the technical part.
This
is taken from:
A.
Seven Types of Ambiguity B. The Heresy of Paraphrase
C. The Principles of Literary Criticism D. The New Criticism
Answer:
……………………………
20) The
loveliest and the last,
The bloom, whose petals nipped before they blew
Died on the promise of the fruit.
The bloom, whose petals nipped before they blew
Died on the promise of the fruit.
The context is:
A.
The death of Edward Young
B.
The death of Mary Shelley
C.
The death of Fanny Brawne
D.
The death of Keats
Answer: ………………………………
ANSWERS:
11-D
12-D
13-B
14-C
15-C
16-D
17-B
18-C
19-C
20-D
